The image of Christ crucified amid a bleak urban landscape reminds us that wherever there is any human suffering, God is also suffering. The smoke stacks poisoning the environment, the tall towers that depersonalize a sense of neighborhood, and the lack of any human presence save that of Jesus Himself are underscored by the color palate of deep russet, black, and gray. One is reminded of William Blake’s “Jerusalem” – one interpretation of which suggests that the mills and factories of the Industrial Revolution dehumanized society and enslaved millions.
In prayer we come to Him with everything that touches our life,
with the sufferings and hopes of humanity.
As apostolic contemplatives, Religious of the Sacred Heart root our lives in prayer. With a mission to discover and reveal the love of God, our spirituality and our mission are based in love. Our contemplative outlook is part of who we are, whether in prayer, in ministry or in our daily lives.
"The contemplative outlook on the world has been a call to be authentic apostles of Christ's love, to help bring to birth a more welcoming world, to make known a God who is great, bountiful and tender. It is a call to educate in such a way that God's plan, God's glory, may become a reality, so that all may grow as brothers and sisters in the inward freedom of the children of God, and have fullness of life." (Superior General Concepcion Camacho, RSCJ)
The pierced Heart of Jesus opens our being to the depths of God and to the anguish of humankind.
On these pages, we will share prayers, poems, reflections and artwork that reflect the spirituality of the Society of the Sacred Heart. We hope you will return here periodically for resources appropriate to the liturgical season and our Sacred Heart traditions.
Prior to the noviceship, I certainly did not anticipate that the interior work of the noviceship would bring me into such acutely vulnerable places of my heart. In no way did I ever surmise how visceral it would be to face my naked self in those places into which God draws me. The soreness of encountering my shadow, however, is not all that I did not know about the noviceship. I also did not imagine the impact of grace—how deeply it touches my heart and urges me to connect to God’s beauty in people.
At a particularly difficult moment in the noviceship, I found myself at the botanical garden in Encinitas, California, where I was surrounded by desert flora and could see the Pacific Ocean in the distance. The internal work of being a novice at that moment felt too big for me – whatever it was I had discovered in myself could no longer be contained by prayer in my room. It needed instead the openness of ocean and desert.
In Exodus 35:35 we read that God has filled artists with skill to do every kind of work done by an artisan, designer, or embroiderer in blue, purple and crimson yarns, and in fine linen. They are able to do work of all kinds and with such originality. This piece of Scripture reflects something of the skill of this fabric artist. I do not know the artist but the gift that this person offers is a talent, a light, offering compassion, hope and joy to a suffering world.
When I first saw the icon above by Soeur Marie-Paul Farran, OSB, and studied it closely, I was drawn to the six water jars in the lower right hand corner. They are reminiscent of the jugs at the wedding feast of Cana. In the Gospel of John, Jesus tells the waiters to fill six jugs with water, and then he changes the water into wine for the wedding guests. But before that, his Mother, Mary, tells the waiters, "Do whatever he tells you."
Thus says the Lord God: O my people, I will open your graves and have you rise from them, and bring you back to the land of Israel. Then you shall know that I am the Lord, when I open your graves and have you rise from them, O my people! I will put my spirit in you that you may live, and I will settle you upon your land; thus you shall know that I am the Lord. I have promised, and I will do it, says the Lord.
Unbind him and let him go.
My Own Stone